Skip to main content

Poem: either / or

we do not always (read: seldom) have

choices or

            opportunities to call

chances for how

            the outcome arrives

alive in expectations we 

    genuflect gyrations to

promises unkept and either swept or

    wept away

you swept me off my feed all

    enthusiastic and smiling (a smile that

    feels endless) ending

spending our hearts ration of 

    rational being

beating so out of tempo either

        two hundred beats per minute

or paused to a stop       


 

--- douglas brent smith




Labels:

Comments

Post a Comment

Popular posts from this blog

Quote Prompt: What You See

Topic: Improv  Goal: Create a new and amusing scene. Prompt: Use this quote to prompt your improvisation:  What you see in the mirror is not what the world sees. Coaching: What do you hope to see? Why would anyone see anything else? What are you afraid others might see? How do people decide what they see about you? What does one character in the scene want that they cannot have?
Post a Comment
Read more

Smile

A smile can stop ten sad thoughts from filling your mind.  -- doug smith 1.  I started to type "smile" in the title and my fingers somehow typed "Smith" instead. That makes me smile... 2. Yes, this is related to improv. When we help other people smile we're building some part of a better world. What fun! 3. See how powerful improv can be? What if, in creating something new, we used that same quote but featured this picture: That changes things, right? Or we could get even darker: Because improv is not all comedy, or does not NEED to be all comedy or sunny and light. Although, sunny and light is nice so here's another nice smile for you. Now, go make someone (and yourself) happy: smile!
Post a Comment
Read more

What Was What Will

What if the model we are relying on no longer exists?    Create a piece involving evolving circumstances. What was is no more. What is becoming, is just now becoming.    Coaching:    What boundaries will you need to sustain the impending change? Where can you rely on the continued existence of tradition? Where is the conflict and how do you turn it into motion?  What was and what will are your two key questions. What do you do with them?
Post a Comment
Read more