Make It Appear Real

The trouble with bad improv is that it looks fake. Maybe the actors are having fun -- they're certainly getting bigger and bigger with their broad attempts at humor -- but it makes me squirm when I see someone acting. Obviously, acting in ways that say "isn't this funny?" and "aren't we all cool?"

No, it's not funny. And, no, it's not cool. Improv is bigger than that, better than that, much harder than that.

Real improv looks real. Characters are developed. Plots evolve instead of becoming fabricated. Dialogue sounds like overheard conversations with built in subtle yet compelling drama.

That's asking a lot from improv, which is why it's so rare. But what if you delivered at that level? What if we each took our improv to a level that is even with the best acting available?

What if no one could tell that you were improvising?

Wouldn't that be amazing?

-- doug smith

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Quote Prompt: What You See

Topic: Improv Goal: Create a new and amusing scene. Prompt: Use this quote to prompt your improvisation: What you see in the mirror is not what the world sees. Coaching: What do you hope to see? Why would anyone see anything else? What are you afraid others might see? How do people decide what they see about you? What does one character in the scene want that they cannot have?

Smile

A smile can stop ten sad thoughts from filling your mind. -- doug smith 1. I started to type "smile" in the title and my fingers somehow typed "Smith" instead. That makes me smile... 2. Yes, this is related to improv. When we help other people smile we're building some part of a better world. What fun! 3. See how powerful improv can be? What if, in creating something new, we used that same quote but featured this picture: That changes things, right? Or we could get even darker: Because improv is not all comedy, or does not NEED to be all comedy or sunny and light. Although, sunny and light is nice so here's another nice smile for you. Now, go make someone (and yourself) happy: smile!

What Was What Will

What if the model we are relying on no longer exists? Create a piece involving evolving circumstances. What was is no more. What is becoming, is just now becoming. Coaching: What boundaries will you need to sustain the impending change? Where can you rely on the continued existence of tradition? Where is the conflict and how do you turn it into motion? What was and what will are your two key questions. What do you do with them?

improvarama

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